Visceral Geometry

"I am not a product of an art school; I am a product of the process."

My work is born from a lack of formal training, which I view not as a limitation, but as a freedom. Without the weight of traditional 'rules,' I am able to approach the canvas with a singular goal: to tell a story.

In an era defined by pixel-perfect screens, I explore the undeniable reality of the physical mark. My work is a study in kinetic energy—a collision between visceral impulse and controlled chaos. Working primarily in acrylics, I reject the static image in favor of layered topography, building surfaces where structural grids fight for dominance against organic splatters and neon ruptures.

Each canvas is a battlefield of texture, capturing the velocity of the gesture and the weight of the medium. From the 'glitch-like' qualities of my scraped backgrounds to the explosive release of drip techniques, my art invites the viewer to look closer—to trace the ridge of the paint and feel the vibration of color. This is not just visual; it is tactile. It is a rebellion against the flatness of the digital age.

Every layer of paint, every scraped texture, and every bold contrast is a chapter in a narrative that begins with my hand but is completed by the viewer's eye. I don't aim to provide answers or a fixed map of what a painting 'means.' Instead, I create the architecture of a story—the mood, the tension, and the energy—and leave the final interpretation to you.

What you see in the chaos is your own. My art is simply the invitation to look.